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We will end the session 5 minutes before the hour in order to allow us time to disinfect all areas. This will include any areas that people touch, doors, water cooler, massage table, chairs, our face shields, etc.

If you require a blanket, please bring one. We have some, however if we use it for one client it must be laundered before we use it for another, there for it we may not have one for you.

We have hand sanitizer in many places for your convenience. There is a separate door to enter, and exit. In order to avoid any interactions with other clients, we ask for you to stay in your car until we text or call you to come up for your session.

Out of respect for myself and all, if you are not feeling well, Please reschedule. As always, please feel free to call me with any concerns you may have.

Relaxing and soothing, hot stone massages are a perfect way to deal with those winter blues. Ball began working as a free-lancer in films and also began to explore other venues.

Choosing the latter, Lucy portrayed Liz Cugat later anglicized to Cooper , the frustrated and scheming housewife of a Minneapolis banker, played originally by actor Lee Bowman in the series pilot, and later by actor Richard Denning.

Based on the novel Mr. Cugat by Isabel Scott Rorick , My Favorite Husband was produced by Jess Oppenheimer , and written by Oppenheimer, plus scribes Madelyn Pugh and Bob Carroll Jr.

Premiering on July 23, , and sponsored by General Foods , Husband became a hit for CBS. Both films were box office and critical successes, [24] [25] further cementing Ball's reputation as a top notch first-rate comedian.

They also showed her continuing popularity with audiences, enticing CBS to further use her skills. In , CBS asked Ball to take My Favorite Husband to television with co-star Richard Denning.

At the same time, rival networks NBC , ABC , and DuMont were showing interest in a Ball-Arnaz series, which Ackerman used to convince CBS to sign the duo.

A pilot was ordered and kinescoped in Hollywood in March , which coincided with Lucy's first pregnancy, and the ending of Husband , which aired its last radio show on March 31, Ball and Arnaz used the same radio team of Oppenheimer, Pugh, and Carroll to create the television series that was named I Love Lucy.

The couple's agent, Don Sharpe, brought the pilot to several advertising agencies with little luck but finally succeeded with the Milton H.

Biow agency. Biow's agency presented the pilot to its clients and was able to convince cigarette giant Philip Morris to sponsor the show.

During the spring and summer of , I Love Lucy moved into production. Oppenheimer, Pugh, and Carroll began fine-tuning the premise of the show and writing the series' first scripts.

The trio chose to adapt many storylines for television using the backlog of episodes of My Favorite Husband. In addition, the series' ensemble cast and crew were assembled.

Desi Arnaz retained his orchestra, which was used in the series musical numbers and to score the show's background and transitional music.

Arnaz's childhood friend Marco Rizo arranged the music and played the piano for the show, while Wilbur Hatch was used to conduct the orchestra.

Two problems arose after Philip Morris signed on to sponsor the show, that would ultimately change the fate of I Love Lucy. Lucy and Desi had originally decided that the series would air on a biweekly basis, much like The George Burns and Gracie Allen Show.

Philip Morris, however, was insistent that the show air weekly, thus diminishing the possibility of Lucy continuing her film career alongside a television show.

At the time, most television shows were produced from New York with live broadcasts of the show airing for eastern and Midwest audiences. Although the pilot had been made as a kinescope, for the series itself, the process was rejected.

Owing to the impending birth of their first child, both Lucy and Desi insisted on staying in Hollywood and producing the show on film, something a few Hollywood-based series had begun to do.

Union agreements at the time stipulated that any production filmed in a studio use film studio employees. CBS staff were television and radio employees and thus fell under different union agreements.

Thus, Arnaz reorganized the company he created to manage his orchestra bookings and used it as the corporation that would produce the I Love Lucy shows.

The company was named Desilu , from the combination of both their first names "Desi" and "Lucille".

Though some television series were already being filmed in Hollywood, most used the single-camera format familiar from movies, with a laugh track added to comedies to simulate audience response.

Lucy wanted to work in front of a live audience to create the kind of comic energy she had displayed on radio. Arnaz and Oppenheimer found the financially struggling General Service Studios located on Las Palmas Avenue in Hollywood.

Studio owner Jimmy Nasser was eager to accommodate the Desilu company and allowed them, with financial backing of CBS, to renovate two of his studios so that they could accommodate an audience and be in compliance with local fire laws.

The idea had been pioneered by Ralph Edwards on the game show Truth or Consequences , and had subsequently been used on Amos 'n' Andy as a way to save money, though Amos n' Andy did not use an audience.

Edwards's assistant Al Simon was hired by Desilu to help perfect the new technique for the series. The process lent itself to the Lucy production as it eliminated the problem of requiring an audience to view and react to a scene three or four times in order for all necessary shots to be filmed.

Multiple cameras would also allow scenes to be performed in sequence, as a play would be, which was unusual at the time for filmed series.

Retakes were rare and dialogue mistakes were often played off for the sake of continuity. Ball and Arnaz enlisted the services of Karl Freund , a cinematographer who had worked on such films as Metropolis , Dracula , and The Good Earth , as well as directing The Mummy , to be the series cinematographer.

Although at first Freund did not want anything to do with television, it was the personal plea of the couple that convinced him to take the job.

Freund was instrumental in developing a way to uniformly light the set so that each of the three cameras would pick up the same quality of image.

Freund noted that a typical episode 20—22 min. Freund also pioneered "flat lighting," in which everything is brightly lit to eliminate shadows and the need for endless relighting.

Audience reactions were live, thus creating a far more authentic laugh than the canned laughter used on most filmed sitcoms of the time.

Regular audience members were sometimes heard from episode to episode, and Arnaz's distinctive laugh could be heard in the background during scenes in which he did not perform, as well as Ball's mother, DeDe, whose distinctive "Uh Oh" could be heard in many of the episodes.

In later years, CBS would devise a laugh track from several I Love Lucy audiences and use them for canned laughter on shows done without a live audience.

I Love Lucy' s pioneering use of three cameras led to it becoming the standard technique for the production of most sitcoms filmed in front of an audience.

This led to an unexpected benefit for Desilu during the series second season when it was discovered that Lucy was pregnant. Not being able to fulfill the show's episode commitment, both Desi and Jess Oppenheimer decided to rebroadcast popular episodes of the series first season to help give Lucy the necessary rest she needed after she gave birth, effectively allowing fewer episodes to be filmed that season.

Unexpectedly the rebroadcasts proved to be ratings winners, effectively giving birth to the rerun , which would later lead to the profitable development of the rerun syndication market.

The show's original opening and commercial bumpers were animated caricatures of Lucy and Desi. They were designed and animated by MGM character designer and future "Flintstones" cartoonist, Gene Hazelton — and were produced under a contract producer William Hanna had secured privately.

However Gene Hazelton's original animation survives, and can be seen in the DVD boxed set as originally presented.

Desilu Productions , jointly owned by Ball and Arnaz, would gradually expand to produce and lease studio space for many other shows. For seasons 1 and 2 — , Desilu rented space and filmed I Love Lucy at General Service Studios, which eventually became known as Hollywood Center Studios.

In , it leased the Motion Picture Center at Cahuenga Blvd. After , it became known as Desilu-Cahuenga Studios to avoid confusion with other acquired Desilu locations.

Desilu acquired RKO's two studio complexes located on Gower Street in Hollywood, and in Culver City now part of the Paramount lot and Culver Studios respectively , along with the Culver City back lot nicknamed " Forty Acres ".

The sale was achieved by the duo selling their ownership of the once-thought-worthless I Love Lucy films back to CBS for over four million dollars.

In , two years after their marriage dissolved, Lucy bought out Desi's shares of Desilu, becoming the studio's sole owner. As with My Favorite Husband , Lucy writers decided that the Ricardos needed an older couple to play off of.

While performing in Husband , veteran character actors Gale Gordon and Bea Benaderet had played Rudolph and Iris Atterbury, an older, more financially stable couple as Mr.

Atterbury had been George Cooper's boss. Ball had initially wanted both actors to reprise their roles on television; however, both were unavailable at the time the show went into production as Benaderet was already playing Blanche Morton on The Burns and Allen Show , and Gordon was under contract by CBS to play Mr.

Conklin on both the radio and television versions of Our Miss Brooks. Casting the Mertzes, as they were now called the surname taken from a doctor that Lucy scriptwriter Madelyn Pugh knew as a child in Indianapolis , proved to be a challenge.

Ball had initially wanted character actor James Gleason , with whom she appeared in the Columbia Pictures film Miss Grant Takes Richmond , to play Fred Mertz.

Sixty-four-year-old William Frawley , a seasoned vaudevillian and movie character actor with nearly film credits to his name, was a long shot to play Fred Mertz and only came into consideration after he telephoned Ball personally to ask if there was a role for him on her new show.

Ball, who had only briefly known Frawley from her days at RKO , suggested him to both Arnaz and CBS. The network objected to the idea of casting Frawley, fearing that his excessive drinking—which was well known in Hollywood [47] —would interfere with a commitment to a live show.

Arnaz nonetheless liked Frawley and lobbied hard for him to have the role, even to the point of having Lucy scribes re-tailor the role of Fred Mertz to be a less financially successful and more curmudgeonly in contrast to Gordon's Mr.

Atterbury character to fit Frawley's persona. CBS relented only after Arnaz contractually bound Frawley to complete sobriety during the production of the show, and reportedly told the veteran actor that if he ever appeared on-set more than once in an intoxicated state he would be fired.

The Ethel Mertz character also took quite some time to pin down an actress suitable for the role. Since Lucy's Husband co-star Bea Benaderet was not available, Mary Wickes , a longtime friend was offered the role, but declined because she did not want to strain her friendship with Lucy.

Actress Barbara Pepper , who was a close friend of Ball, was also considered for the role. The two had a long history together, as Pepper had been one of the Goldwyn Girls who came to Hollywood with Lucy in Pepper was ruled out by Lucy and Desi because she too had a drinking problem like Frawley.

Vivian Vance became a consideration on the recommendation of Lucy director Marc Daniels. Daniels had worked with Vance in New York on Broadway in the early s.

Vance had already been a successful stage star performing on Broadway for nearly 20 years in a variety of plays, and in addition, after relocating to Hollywood in the late s, had two film roles to her credit.

Nonetheless, by , she was still a relatively unknown actress in Hollywood. Vance was performing in a revival of the play The Voice of the Turtle in La Jolla, California.

Arnaz and Jess Oppenheimer went to see her in the play and hired her on the spot. Ball, however, had many misgivings about hiring Vance, who was younger and far more attractive than the concept of Ethel as an older, somewhat homely woman Vance was just 2 years older than Ball.

Ball was also a believer in the Hollywood adage at the time that there should be only one pretty woman on the set and Ball, being the star of the show, was it.

Arnaz, however, was impressed by Vance's work and hired her. The decision was then made to dress Vance in frumpier clothing to tone down her attractiveness.

Ball and Vance's relationship during the series' early beginnings was lukewarm at best. Eventually realizing that Vance was no threat and was very professional, Ball began to warm to her.

In , Vance would become the first actress to win an Emmy Award for Outstanding Supporting Actress. Vance and Ball would develop a lifelong close friendship.

Ball would go on to ask Vance to co-star in Ball's new series The Lucy Show after the end of I Love Lucy. Vance and Frawley's off-screen relationship was less successful.

In spite of this, they were always professional and exhibited exceptional chemistry while performing on the show. In fact, their acrimonious personal relationship may have helped their onscreen marriage be that much funnier.

Frawley derisively described Vance's appearance as "a sack of doorknobs. Vance also complained that Frawley's song-and-dance skills were not what they once were.

Frawley and Vance would have an adversarial relationship during the entire run of the show. In , I Love Lucy was re-tailored into an hour-long show originally titled The Lucille Ball-Desi Arnaz Show that was to be part of an anthology series called the Westinghouse Desilu Playhouse.

The hour-long Lucy-Desi show was to alternate on a monthly basis with other hour long Playhouse shows. The new series put a much heavier emphasis on big name guest stars as being part of the plot and although the Mertz characters continued into the new series, their roles became somewhat diminished.

Although a lighter workload was welcomed by Frawley, Vance came to somewhat resent the change. Arnaz, in an effort to please Vance, for whom he had much respect, proposed doing a spin-off from I Love Lucy called The Mertzes.

Seeing a lucrative opportunity and the chance to star in his own show, Frawley was enthused. Vance, however, declined for a number of reasons, the biggest factor being that she felt she and Frawley could barely work together on the ensemble show they were doing at the time, so it would be much less likely the two could work together on their own series.

Vance also felt that the Mertz characters would not be as successful without the Ricardos to play off of, and despite being her biggest success, she was becoming interested in playing more glamorous roles rather than Ethel.

In fact, during the thirteen-episode run of the Lucy-Desi hour-long shows, Vance was given a lot more latitude to look more attractive as Ethel Mertz, something she was denied during the run of the I Love Lucy episodes.

Frawley's resentment of Vance intensified after she declined to do the spin-off show and the two rarely talked to each other outside of their characters' dialogue with one another.

Just before filming the show, Lucy and Desi learned that Lucy was once again pregnant after multiple miscarriages earlier in their marriage with their first child, Lucie Arnaz.

They filmed the original pilot while Lucy was "showing", but did not include any references to the pregnancy in the episode. This was because CBS thought that talk of pregnancy might be in bad taste and because an ad agency told Desi not to show a pregnant woman.

Later, during the second season, Lucy was pregnant again with second child Desi Arnaz Jr. Contrary to popular belief, Lucy's pregnancy was not television's first on-screen pregnancy, a distinction belonging to Mary Kay Stearns on the late s sitcom Mary Kay and Johnny.

CBS would not allow I Love Lucy to use the word "pregnant", so "expecting" was used instead. One week later, on December 15, , the episode titled "Pregnant Women Are Unpredictable" was aired although the show never displayed episode titles on the air.

The episode in which Lucy gives birth, " Lucy Goes to the Hospital ", first aired on January 19, , which was the day before the inauguration of Dwight Eisenhower as President of the United States.

To increase the publicity of this episode, the original air date was chosen to coincide with Lucille Ball's real-life delivery of Desi Jr. Unlike some programs that advance the age of a newborn over a short period , I Love Lucy at first allowed the Little Ricky character to grow up in real time.

America saw Little Ricky as an infant in the —53 season and a toddler from to However, for the —57 season, Little Ricky suddenly aged by two years, becoming a young school-age boy from to Five actors played the role, two sets of twins and later Keith Thibodeaux, whose stage name when playing Ricky Ricardo Jr.

In the Superman episode, Little Ricky is mentioned as being five years old but it had been less than four years since the birth-of-Little-Ricky episode.

Jess Oppenheimer stated in his memoir, Laughs, Luck When logistical difficulties convinced Oppenheimer to abandon this plan, he advised Desi that as head writer, he would have Lucy Ricardo give birth to a boy.

Desi agreed, telling Oppenheimer that Lucy had already given him one girl, and might give him another—this might be his only chance to get a son.

When the baby boy was born, Desi immediately called Oppenheimer and told him, "Lucy followed your script.

Ain't she something? That makes me the greatest writer in the world! The opening familiar to most viewers, featuring the credits superimposed over a "heart on satin" image, was created specifically for the —67 CBS daytime network rebroadcasts, and subsequent syndication.

As originally broadcast, the episodes opened with animated matchstick figures of Arnaz and Ball making reference to whoever the particular episode's sponsor was.

These sequences were created by the animation team of William Hanna and Joseph Barbera , who declined screen credit because they were technically under exclusive contract to MGM at the time.

The original sponsor was cigarette maker Philip Morris , so the program opened with a cartoon of Lucy and Ricky climbing down a pack of Philip Morris cigarettes.

In the early episodes, Lucy and Ricky, as well as Ethel and Fred on occasion, were shown smoking Philip Morris cigarettes.

Lucy even went so far as to parody Johnny Roventini 's image as the Philip Morris "bellhop" in the May 5, , episode, "Lucy Does a TV Commercial".

Since the original sponsor references were no longer appropriate when the shows went into syndication, a new opening was needed, which resulted in the classic "heart on satin" opening.

The later Lucille Ball-Desi Arnaz Show was sponsored by Ford Motor Company —58 and Westinghouse Electric Corporation —60 , as part of the Westinghouse Desilu Playhouse.

The original openings, with the sponsor names edited out, were revived on TV Land showings, with a TV Land logo superimposed to obscure the original sponsor's logo.

However, this has led some people to believe that the restored introduction was created specifically for TV Land as an example of kitsch.

The animated openings, along with the middle commercial introductory animations, are included, fully restored, in the DVDs.

However, the openings are listed as special features within the disks with the "heart on satin" image opening the actual episodes.

The complete original broadcast versions of Seasons 1 and 2, as seen in — with intros, closings, and all commercials, are included on their respective Ultimate Season Blu-ray editions.

The I Love Lucy theme song was written by two-time Oscar -nominee Eliot Daniel. I love Lucy and she loves me. We're as happy as two can be. Sometimes we quarrel but then How we love making up again.

Lucy kisses like no one can. She's my missus and I'm her man, And life is heaven you see, 'Cause I love Lucy, Yes I love Lucy, and Lucy loves me!

In , the Wilton Place Street Band had a Top 40 hit with a disco version of the theme, "Disco Lucy". I Love Lucy aired Mondays from to PM ET on CBS for its entire first run.

Each year during its summer hiatus its timeslot was occupied by various summer replacement series. Beginning in April CBS added reruns from the show's early years to its early evening weekend schedule.

This would be the first of several occasions when I Love Lucy reruns would become part of CBS's evening, prime time , and later on daytime schedules.

In fall , CBS began offering the series in off-network syndication; As of August [update] , the reruns air on the Hallmark Channel and MeTV networks, and scores of television stations in the U.

In addition, CBS has run numerous specials, including a succession of annual specials which feature episodes which have been newly colorized.

The episode " Lucy Goes to the Hospital ", which first aired on Monday, January 19, , garnered a record There was some thought about creating an I Love Lucy radio show to run in conjunction with the television series as was being done at the time with the CBS hit show Our Miss Brooks.

On February 27, , a sample I Love Lucy radio show was produced, but it never aired. This was a pilot episode, created by editing the soundtrack of the television episode "Breaking the Lease", with added Arnaz narration in character as Ricky Ricardo.

It included commercials for Philip Morris , which sponsored the television series. While it never aired on radio at the time in the s Philip Morris eventually sponsored a radio edition of My Little Margie instead , copies of this radio pilot episode have been circulating among "old time radio" collectors for years, and this radio pilot episode has aired in more recent decades on numerous local radio stations that air some "old time radio" programming.

Ball and Arnaz authorized various types of I Love Lucy merchandise. Beginning in November , I Love Lucy dolls, manufactured by the American Character Doll Company , [66] were sold.

Adult-size I Love Lucy pajamas and a bedroom set were also produced; all of these items appeared on the show. Dell Comics published 35 issues of an I Love Lucy comic book between and including two try-out Four Color issues and King Features syndicated a comic strip written by Lawrence Nadel and drawn by Bob Oksner , jointly credited as "Bob Lawrence" from to After the conclusion of the sixth season of I Love Lucy , the Arnazes decided to cut down on the number of episodes that were filmed.

Instead, they extended I Love Lucy to 60 minutes, with a guest star each episode. They renamed the show The Lucille Ball-Desi Arnaz Show , also known as The Lucy-Desi Comedy Hour.

Thirteen hour-long episodes aired from to On March 2, Desi's birthday, , the day after the last hour-long episode was filmed, Lucille Ball filed for divorce from Desi Arnaz.

It made that playful, yet passionate kiss at the end of the final episode, which aired April 1, "Lucy Meets the Moustache", all the more poignant, as the world already knew that this storied Hollywood marriage was all but over, and also lent extra meaning to the use of the song "That's All" performed by guest star Edie Adams in that episode.

There was discussion of the risks of damage to the unique fossils, and other museums preferred to display casts of the fossil assembly.

French geologist and paleoanthropologist Maurice Taieb discovered the Hadar Formation for paleoanthropology in in the Afar Triangle of Ethiopia in Hararghe region; he recognized its potential as a likely repository of the fossils and artifacts of human origins.

Taieb formed the International Afar Research Expedition IARE and invited three prominent international scientists to conduct research expeditions into the region.

An expedition was soon mounted with four American and seven French participants; in the autumn of the team began surveying sites around Hadar for signs related to the origin of humans.

In November , near the end of the first field season, Johanson noticed a fossil of the upper end of a shinbone , which had been sliced slightly at the front.

The lower end of a femur was found near it, and when he fitted them together, the angle of the knee joint clearly showed that this fossil, reference AL , was an upright walking hominin.

This fossil was later dated at more than three million years old—much older than other hominin fossils known at the time.

The site lay about 2. The team returned for the second field season the following year and found hominin jaws. Then, on the morning of 24 November , near the Awash River , Johanson abandoned a plan to update his field notes and joined graduate student Tom Gray to search Locality for bone fossils.

By Johanson's later published accounts, both he and Tom Gray spent two hours on the increasingly hot and arid plain, surveying the dusty terrain. On a hunch, Johanson decided to look at the bottom of a small gully that had been checked at least twice before by other workers.

At first view nothing was immediately visible, but as they turned to leave a fossil caught Johanson's eye; an arm bone fragment was lying on the slope.

Near it lay a fragment from the back of a small skull. They noticed part of a femur thigh bone a few feet about one meter away.

As they explored further, they found more and more bones on the slope, including vertebrae , part of a pelvis , ribs , and pieces of jaw.

They marked the spot and returned to camp, excited at finding so many pieces apparently from one individual hominin.

In the afternoon, all members of the expedition returned to the gully to section off the site and prepare it for careful excavation and collection, which eventually took three weeks.

That first evening they celebrated at the camp; at some stage during the evening they named fossil AL "Lucy", after the Beatles ' song " Lucy in the Sky with Diamonds ", which was being played loudly and repeatedly on a tape recorder in the camp.

Over the next three weeks the team found several hundred pieces or fragments of bone with no duplication, confirming their original speculation that the pieces were from a single individual; ultimately, it was determined that an amazing 40 percent of a hominin skeleton was recovered at the site.

Johanson assessed it as female based on the one complete pelvic bone and sacrum, which indicated the width of the pelvic opening.

Lucy was 1. The creature had a small brain like a chimpanzee, but the pelvis and leg bones were almost identical in function to those of modern humans, showing with certainty that Lucy's species were hominins that had stood upright and had walked erect.

With the permission of the government of Ethiopia, Johanson brought all the skeletal fragments to the Cleveland Museum of Natural History in Ohio , where they were stabilized and reconstructed by anthropologist Owen Lovejoy.

Lucy the pre-human hominid and fossil hominin, captured much public notice; she became almost a household name at the time. Some nine years later, and now assembled altogether, she was returned to Ethiopia.

Additional finds of A. An even more complete skeleton of a related hominid, Ardipithecus , was found in the same Awash Valley in Excavation, preservation, and analysis of the specimen Ardi was very difficult and time-consuming; work was begun in , with the results not fully published until October Initial attempts were made in by Maurice Taieb and James Aronson in Aronson's laboratory at Case Western Reserve University to estimate the age of the fossils using the potassium-argon radiometric dating method.

These efforts were hindered by several factors: the rocks in the recovery area were chemically altered or reworked by volcanic activity; datable crystals were very scarce in the sample material; and there was a complete absence of pumice clasts at Hadar.

The Lucy skeleton occurs in the part of the Hadar sequence that accumulated with the fastest rate of deposition, which partly accounts for her excellent preservation.

Fieldwork at Hadar was suspended in the winter of — When it was resumed thirteen years later in , the more precise argon-argon technology had been updated by Derek York at the University of Toronto.

By Aronson and Robert Walter had found two suitable samples of volcanic ash —the older layer of ash was about 18 m below the fossil and the younger layer was only one meter below, closely marking the age of deposition of the specimen.

These samples were argon-argon dated by Walter in the geochronology laboratory of the Institute of Human Origins at 3. One of the most striking characteristics of the Lucy skeleton is a valgus knee , [23] which indicates that she normally moved by walking upright.

Her femur presents a mix of ancestral and derived traits. The femoral head is small and the femoral neck is short; both are primitive traits.

The greater trochanter , however, is clearly a derived trait, being short and human-like—even though, unlike in humans, it is situated higher than the femoral head.

The length ratio of her humerus arm to femur thigh is Lucy also had a lordose curve, or lumbar curve , another indicator of habitual bipedalism.

Johanson recovered Lucy's left innominate bone and sacrum. Though the sacrum was remarkably well preserved, the innominate was distorted, leading to two different reconstructions.

The first reconstruction had little iliac flare and virtually no anterior wrap, creating an ilium that greatly resembled that of an ape.

However, this reconstruction proved to be faulty, as the superior pubic rami would not have been able to connect were the right ilium identical to the left.

A later reconstruction by Tim White showed a broad iliac flare and a definite anterior wrap , indicating that Lucy had an unusually broad inner acetabular distance and unusually long superior pubic rami.

Her pubic arch was over 90 degrees and derived; that is, similar to modern human females. Her acetabulum, however, was small and primitive.

The cranial evidence recovered from Lucy is far less derived than her postcranium. Her neurocranium is small and primitive , while she possesses more spatulate canines than other apes.

Australopithecus afarensis seems to have had the same conical rib-cage found in today's non-human great apes like the chimpanzee and gorilla , which allows room for a large stomach and the longer intestine needed for digesting voluminous plant matter.

The heavier musculature of the jaws—those muscles operating the intensive masticatory process for chewing plant material—similarly would also limit development of the braincase.

During evolution of the human lineage these muscles seem to have weakened with the loss of the myosin gene MYH16 , a two base-pair deletion that occurred about 2.

A study of the mandible across a number of specimens of A. Work at the American Museum of Natural History uncovered a possible Theropithecus vertebral fragment that was found mixed in with Lucy's vertebrae, but confirmed the remainder belonged to her.

Lucy's cause of death cannot be determined. The specimen does not show the signs of post-mortem bone damage characteristic of animals killed by predators and then scavenged.

The only visible damage is a single carnivore tooth mark on the top of her left pubic bone, believed to have occurred at or around the time of death, but which is not necessarily related to her death.

Her third molars were erupted and slightly worn and, therefore, it was concluded that she was fully matured with completed skeletal development.

There are indications of degenerative disease to her vertebrae that do not necessarily indicate old age. It is believed that she was a mature but young adult when she died, about 12 years old.

In researchers at the University of Texas at Austin suggested that Lucy died after falling from a tall tree.

“Lucy” was born in Waterbury Connecticut on August 23, , daughter of the late Donato and Margaret (Gentile) D’Aloia, of Wolcott Connecticut. She lived in Wolcott until , and later resided in Waterbury, Southbury and Milford Connecticut. Lucy graduated from Wolcott High School in June of Lucy Ct is a house in Lake Zurich, IL This 4, square foot house sits on a acre lot and features 4 bedrooms and bathrooms. Lucy Ct was built in Based on Redfin's Lake Zurich data, we estimate the home's value is $, Comparable nearby homes include Lorie Ln, Lucy Ct, and W Crestwood Ln. 1 Lucy Ct is likely to depreciate by % in the next year, based on the latest home price index. In the last 5 years, this home has increased its value by 23%. Estimated values are not a. Lucy Ct, Upper Marlboro, MD is a 4, sqft, 5 bed, 5 bath Single-Family Home listed for $, June Delivery! Beautiful Brick front home, 5 bedrooms, bathrooms, Smart Home in Lennar's newest Prince. Lucy Ct, Union, KY is currently not for sale. The 5, sq. ft. single-family home is a 5 bed, bath property. This home was built in and last sold on 3/6/ for $, View more property details, sales history and Zestimate data on Zillow.

Lucy Ct Dirty Lucy Ct Club Vol. - Inhaltsverzeichnis

Inspiriert durch eine TV-Dokumentation begann sie mit dem Dreh von Pornovideoclips.
Lucy Ct

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